JENK

Jenk © Marciano contemporary
Wrapping bonbon collector transparent feuilles de Cuivre, 2020 Plexiglass (23 cm)

Wrapping bonbon collector transparent feuille de cuivre


2021, n°309
Plexiglass
23 cm
Unique piece

Wrapping bonbon collector rouge , 2020 plexiglass (23 cm)

Wrapping bonbon collector rouge


2021, n°371
Plexiglass
23 cm
Unique piece

Wrapping bonbon mauve inclusion argent, 2020 Plexiglass (46 cm)

Wrapping bonbon mauve inclusion argent


2020, n°138
Plexiglass
46 cm
Unique piece

Wrapping bonbon transparent noir mat, 2020 Plexiglas (41 cm)

Wrapping bonbon transparent noir mat


2020, n°151
Plexiglass
41 cm
Unique piece

Wrapping bonbon bleu multicolore rouge jaune Vert, 2020 Plexiglas (79 cm)

Wrapping bonbon bleu multicolore rouge jaune vert


2020, n°094
Plexiglass
79 cm
Unique piece

Wrapping bonbon orange, 2021 Plexiglas (82 cm)

Wrapping bonbon orange


2021, n°318
Plexiglass
82 cm
Unique piece

Wrapping bonbon rouge 2021, n°202 Plexiglass 170 cmPièce unique

Wrapping bonbon rouge


2021, n°202
Plexiglass
170 cm
Unique piece

Jenk | Laurence Jenkell | Marciano Contemporary | Wrapping bonbon | Arlequin | 23 cm sculpture | art gallery Paris

Wrapping bonbon transparent peint


2021,
Plexiglass
23 cm
Unique piece

Jenk | Laurence Jenkell | Marciano Contemporary | Wrapping bonbon | Jenk by Jenk | 23 cm sculpture | art gallery Paris

Jenky Jenk – Wrapping Bonbon Transparent


2021,
Plexiglass
23 cm
Unique piece

JENK

BIOGRAPHIE

Laurence Jenkell, today known as JENK, was born in Bourges in 1965. Her artistic career, far from the traditional paths, is illustrated by its singularity. The requirements of a first marriage seemed to constrain her access to any creative process. Until the day when, in the secret of her kitchen, during a silent tête-à-tête with her domestic oven, she makes melted candy dough. This chance encounter is a rebirth. Stemming from old frustrations, deprivation and alienation, candies become the vector of her liberation.   

Wrapping 

As an autodidact, JENK will thus elaborate the concept of wrapping. This formal twist of the material is embodied as the formal expression of suffering. By its elaboration, the artist exorcises her demons. Neutralized by the sweetness of the subject, the candy becomes the allegory of a revenge. Formerly synonymous with frustration, it is now the materialization of her liberation. By means of her creation, the artist works at her reconstruction, at her own invention. 

“The candy is inseparable from my work, it is and will remain my favorite subject, and the twist my source of inspiration”.

The irresistible smoothness of the syrupy color flows beguiles the viewer. Candor of the subject is responsible for charming and bewitching him. Through the materials used and the motif represented, the artist plays on his irrepressible desire to consume. Here, the sculpture materializes the desire. Captivated by the acidulous colors, the spectator reconnects with the sweetness of his childhood memories. The candy wrappings invoke a story as personal as it is universal. While questions of identity and the revelation of one’s deepest nature are at the heart of Laurence Jenkell’s production, the artist recently decided to change her signature in order to fully reclaim her identity. Jenkell becomes JENK. 

Laurence JENK’s work is represented by numerous galleries and private, public and institutional collections. Her works are notably part of the collections of François Pinault, Martin Bouygues or Françoise Bettencourt. The wrappings invest many foundations such as Chanel and Gabarron. Her  works are also part of the permanent collections of various museums such as the Calais Fine Arts Museum, the Coca Museum, the Copelouzos Family Art Museum in Athens or the Chambery Fine Arts Museum. Find her creations in our Marciano Contemporary galleries.

See the current show here

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