INVERNI

artiste-inverni-marciano-contemporary
alt = Artist Fabio Inverni Furto d’artista n°1 hyperrealism peinture painting Michel-Ange Michelangelo Marciano Contemporary Art Gallery Galerie Paris place des Vosges contemporain

Furto d’autore n°1


Oil on canvas
Ø 90 cm
Unique piece

alt = Artist Fabio Inverni Omaggio al Genio Leonardo Da Vinci Leonard hyperrealism peinture painting Marciano Contemporary Art Gallery Galerie Paris place des Vosges contemporain

Omaggio al genio


Oil on canvas
120 x 110 cm
Unique piece

Alt = Artist Fabio Inverni il ritratto di Angelo Doni hyperrealism peinture painting Marciano Contemporary Art Gallery Galerie Paris place des Vosges contemporain

Il ritratto di Angelo Doni


Oil on canvas
50 x 70 cm
Unique piece

alt = Artist Fabio inverni la ragazza con lorrechino di perla Vermeer Girl with pearl Jeune fille à la perle hyperrealism peinture Marciano Contemporary Art Gallery Galerie Paris place des Vosges contemporain

La Ragazza con l’orecchino di Perla


Oil on canvas
65 x 70 cm
Unique piece

alt = Artist Fabio Inverni Juan de Pareja Marciano Contemporary Art Gallery Galerie Paris place des Vosges hyperrealism hyperréalisme contemporain

Don Juan de Pareja


Oil on canvas
81 x 70 cm
Unique piece

INVERNI

BIOGRAPHIE

Inverni was born in 1968, in Florence. He lives and works in Poggio a Caiano in Tuscany. Son of a painter and teacher at the Florence Art High School, Inverni developed a deep passion for painting. However, he didn’t feel a particular interest in painting until later. After the Polytechnic School in Prato, he worked as a texture designer for the “Faro Disegni” firm, in Rome, until 1991. When his father dies prematurely, it triggered Inverni to start painting. The whole first period of Inverni’s works focuses around the themes of melancholy and memory.

In 1995, thanks to the Italian American painter Benini he managed to go to the U.S.A. . There, he focused on works under commission for art collectors in Hot Springs (Arkansas). He was also in a large number of exhibitions. His experience in America went on, working at the Benini Foundation in Johnson City (Texas). In 2004 his artistic experimentation ranged from landscapes and still lives to the newly experimented hyperrealism. Melancholy became a central theme. The aim of his works is to reawaken every viewer’s emotion. Another central theme is the paper, a very common material to us, represented as worn-out, abandoned, decayed and hardened by time, as a symbol of the human being, abandoning himself adrift.

He’s part of a selection of a one year “itinerant” public collective exhibition, called “50 Pittori 50 Cantanti” (50 Painters 50 Singers), in 2010, from the Palagio di parte Guelfa Palace in Florence and to the Cardi Palace in Cortona (Arezzo). In the same years he’s chosen, together with other Italian artists, to participate at the 54th Biennale of Venice. Inverni’s works made their way to important public and private collections.

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